Jacques Audiard’s latest has a distinct and welcome French flavor. It opens Thursday in Sudbury
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It’s been too long since we’ve had a proper French film from writer/director Jacques Audiard. Nothing against his latest film, 2018’s The Sisters Brothers, but the Western crime drama, while well done, didn’t seem to match his Gallic sensibilities.
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Paris 13th, shot in soft black and white, marks a return to form for the director. Although the raw material is several short comic book stories by American cartoonist Adrian Tomine, the filmmaker has freely adapted them, setting them in the Left Bank arrondissement of Paris which is home to the city’s Chinatown and Les Olympiades residential district. , which gives the film its French title.
Several loosely grounded narratives intertwine, beginning with Émilie (Lucie Zhang), a telemarketer looking for a roommate to help pay the rent. When Camille (Makita Samba) turns out to be a man, she almost pushes him away, but the soft-spoken high school teacher convinces her to give him a chance.
Soon they’re roommates with benefits, but Camille doesn’t think they should be exclusive—he’s very promiscuous—and brings a fellow teacher (Océane Cairaty) to spend the night. Émilie becomes jealous and Camille ends up moving out, although the two remain in sporadic contact. “You will miss me,” Emily prophesies angrily.
We’re well into the film’s 105 minutes when the narrative switches tracks, introducing Nora (Portrait of a Lady on Fire’s Noémie Merlant) as a mature student studying criminal law at the local university. Wearing a blonde wig to a night out causes her to be mistaken for a pornstar named Amber Sweet (Jehnny Beth), ruining her reputation in college and forcing her to drop out.
His subsequent meeting with Camille seems a bit too orderly, but I’ll give most movies a single wild coincidence as long as the movie is doing well. And Paris, 13th, is going very well. Audiences may recall Joachim Trier’s excellent The Worst Person in the World (both of which appeared in competition at last year’s Cannes Film Festival), but without the singular protagonist that was Renate’s Julie Reinvest in this film.
Instead, we’re pulled this way and that as one character, then another, comes to the fore. All are complex and none are completely likable, and while I found Nora the most likable – especially when she begins a shy online friendship with her pornstar lookalike – I was also lulled by the scene where she punches someone in the face. Ah, the French!
Paris, 13th Arrondissement opens Thursday at the Sudbury Indie Cinema. For the full schedule and to purchase tickets, visit sudburyindiecinema.com.
4 out of 5 stars